By Rudolf Mrazek
When Mrázek started his interviews, he anticipated to debate phenomena comparable to the transition from colonialism to postcolonialism. His interviewees, besides the fact that, desired to percentage extra own memories. Mrázek illuminates their tales of the previous with evocative depictions in their late-twentieth-century atmosphere. He brings to endure insights from thinkers together with Walter Benjamin, Bertold Brecht, Le Corbusier, and Marcel Proust, and from his adolescence in Prague, one other city with its personal adventure of passages and revolution. Architectural and spatial tropes manage the booklet. Thresholds, windowsills, and sidewalks come to appear extra apt as descriptors of historic transitions than colonial and postcolonial, or smooth and postmodern. Asphalt roads, houses, school rooms, fences, and home windows set up circulate, perceptions, and selves when it comes to others. A yes Age is a portal into questions on how the earlier informs the current and the way ancient money owed are unavoidably partial and incomplete.
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